![]() ![]() Really love this flanger.ĭelay ETERNITY (yeah, and don’t forget the bitcrusher in there, too), which he uses just for its resolution characteristic.īus FORCE which he uses on the bus for creative use and dirt. SITRAL-295’s digital spectrum analyzer is also useful.Ĭomp VCA-65 for saturation and attack emphasis.įlanger BL-20 for… well, the clue is in the name. The set of tools here is great – the Saturation section alone is terrific, but it’s nice to couple that with dynamic and frequency shaping tools and different routing choices.ĮQ SITRAL-295 shapes the kick (Sweet Bassdrum, actually was also toying with this preset… nice for cleaning up the kicks a bit, a bit more sub punch and brightening the highs). But start on individual channels and you can get lots of creative effects, and yeah, if you do know what you’re doing and you watch overall dynamic levels, you could work with it on a main or drum bus or even as a mastering effect. He demos, plus my own take on this: I’m a bit scared to recommend Bus FORCE on the titular bus – lest I anger all your mastering engineers. Here’s a summary, if like me you enjoy reading and having everything at a glance. ![]()
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